I’ve had a particularly memorable “year in music” this year. While I’ve listed a “Prufrock’s Dozen” of CDs, this year-end post isn’t a “best of” list in the usual sense, but rather an opportunity to gather together the “best of” my musical experiences throughout the year. The post is divided into three sections: A “Prufrock’s Dozen” of CDs, Live Performances, and Other Significant Music-Related Activities. Continue reading
This year, I’m even more relieved than last year that I’m not a professional critic assigned to assemble a “top ten” music list for 2013. Instead, here is a year-end offering of highlights from my personal musical journey throughout the year.
I also want to recognize the composer and musicians who participated in This Life in Music profiles during 2013: Maxwell J McKee, Sabrina Tabby, Dávid Adam Nagy, Lucy Dhegrae, and Amy Garapic, as well as composer Dylan Mattingly, for his guest post on his new work, The Bakkhai (a report on the premiere of The Bakkhai is included in this post). It was a pleasure and privilege to present each of them on Prufrock’s Dilemma. Thanks to all! Continue reading
The first time I ran across Maxwell J McKee was at a recital of student work at Bard. The first half of the concert closed with McKee’s Double Helix for string quartet, “captivating,” I wrote at the time, “from the opening breath of violin played at the edge of its sound.” Double Helix has since garnered McKee an ASCAP Morton Gould Young Composer Award and the Hudson Valley Chamber Music Circle’s composition prize. Continue reading