It is a measure of the power of music, in the hands of Contemporaneous, that the silly season engulfing us decamped, wholly vanquished, within the first bars of Vicenti Alexim’s adroit arrangement of Ennio Morricone’s Il triello. The occasion was Contemporaneous’s appearance at Bard’s Summer Music Festival, the focus of which this year is “Puccini and His World.” Continue reading
This year, I’m even more relieved than last year that I’m not a professional critic assigned to assemble a “top ten” music list for 2013. Instead, here is a year-end offering of highlights from my personal musical journey throughout the year.
I also want to recognize the composer and musicians who participated in This Life in Music profiles during 2013: Maxwell J McKee, Sabrina Tabby, Dávid Adam Nagy, Lucy Dhegrae, and Amy Garapic, as well as composer Dylan Mattingly, for his guest post on his new work, The Bakkhai (a report on the premiere of The Bakkhai is included in this post). It was a pleasure and privilege to present each of them on Prufrock’s Dilemma. Thanks to all! Continue reading
Having written something that pleases one doesn’t give one instructions on how to do it again.
William Carlos Williams’ Portrait of a Lady is a peculiar thing, stuttering along as it does. It begins:
Your thighs are appletrees
whose blossoms touch the sky.
Which sky? . . . Continue reading