Tag Archives: Giorgio Vasari

When in Rome: Final Days, Part 2 of 2

Giovanni da Udine, festoon detail, Loggia di Amore e Psiche

I can only say, about our last days in Rome, that we certainly did not go out with a whimper. The opposite of anything we planned, it seems, in retrospect, that we’d been building up to this apotheosis from the moment we arrived. Continue reading

When in Umbria: Spello

Marcantonio Grecchi, Madonna con Bambino, San Felice Vescovo e il Beato Andrea Caccioli (17 C, detail)

More frescoes, specifically “Pinturicchio’s superlative frescoes in the church of Santa Maria Maggiore,” awaited us at the hill town of Spello . . . or so we thought. [cite] Vasari didn’t think much of Pinturicchio’s work: Continue reading

When in Umbria: Montefalco

Gozzoli, Preaching to the Birds & Blessing of Montefalco

The hill town of Montefalco is tiny (pop. 5,581), but that doesn’t prevent it from having a surfeit of spectacular art. As reported by the Rough Guide to Tuscany & Umbria: Continue reading

When in Umbria: Spoleto, Part 1

Spoleto Duomo bell tower

Chiesa San Gregorio Maggiore bell tower

After a lot of to-ing and fro-ing, we decided on Spoleto as the base for a week in Umbria. We found what looked to be (and was indeed) a comfortable, reasonably-priced apartment with lots of light and even a terrace with a view. The owners, British expats Norma and Laurie, were bursting with excellent information and, where needed, gratefully appreciated assistance in getting around. But it was more than that: they truly made us feel we’d arrived at a home away from home. Continue reading

In Sicilia: Street Scenes, New Year’s Eve

20img_0270_edited-1New Year’s Eve was a day like any other, with one exception: we were in Palermo. We needed to get shopping in, so we walked to the Mercato Vucciria and bought chicken, vegetables, olives, salami, cheese, and wild strawberries. The market isn’t what it once was—affected, apparently, by the presence of a Carrefour Supermarket nearby—but we didn’t feel the lack. As our intention was utilitarian, I didn’t bring along my camera, so a link to Renato Guttuso’s “most famous palermitano painting” will have to do for now, along with this bit of back story: Continue reading