Sound the flute!

Central Park Conservatory Garden, April 23

Spring

Sound the flute!
Now it’s mute.
Birds delight
Day and night;
Nightingale
In the dale,
Lark in sky,
Merrily,
Merrily, merrily, to welcome in the year.

Riverside Park, April 24

Little boy,
Full of joy;
Little girl,
Sweet and small;
Cock does crow,
So do you;
Merry voice,
Infant noise,
Merrily, merrily, to welcome in the year.

Innisfree Garden, May 8

Little lamb,
Here I am;
Come and lick
My white neck;
Let me pull
Your soft wool;
Let me kiss
Your soft face;
Merrily, merrily, we welcome in the year.

—William Blake

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Listening List

Benjamin Britten, Sound the Flute! from Spring Symphony

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Credits: The photographs, as always on the blog unless otherwise indicated, are mine.

Torn and Cut Paper

At the Outsider Art Fair, we came across a booth from Main Street Gallery in Milwaukee, Wiscobnsin, featuring collage work by Della Wells. Among many other attributes, her use of torn and cut paper was a marvel, putting together all manner of shades of greens, blues, yellows, reds as the backbone of her collages, like this one, “if they peer in my house, Matisse”:

Trolling the Heilbrunn Timeline: A Goldsmith in His Shop

Petrus Christus, A Goldsmith in His Shop (1449)

On returning from Italy, I decided it was high time I supplemented my scant knowledge of medieval and Renaissance art, so I gathered up a few books* on the subject. After reading said books, it occurred to me that a Renaissance art vacation extender might be available at the Metropolitan Museum, so I looked up the Met’s Heilbrunn Timeline of Art History. I’d forgotten, if I really ever knew, what a rich resource this is, and trolling around the Medieval/Renaissance sections proved a time sink of the best sort. I picked out a few artworks to visit in person next time I could. Here’s one of those I visited yesterday.

When in Rome: Final Days, Part 2 of 2

Giovanni da Udine, festoon detail, Loggia di Amore e Psiche

I can only say, about our last days in Rome, that we certainly did not go out with a whimper. The opposite of anything we planned, it seems, in retrospect, that we’d been building up to this apotheosis from the moment we arrived.

When in Rome: Final Days, Part 1 of 2

View from Janiculum Hill

We settled on a new strategy for our final two days in Rome. We were again “based” in Trastevere. This time our plan was to explore only more-or-less immediate neighborhoods in an effort to minimize time spent in the logistics of finding our way around. The strategy worked better than we had any right to expect. With a minimum of time spent getting lost, we discovered a trove of Roman treasures most of which would likely not have made it to a short-term visitor “must see” list.