When I was asked by Esa-Pekka Salonen, the Los Angeles Philharmonic’s music director, to compose a special piece for the opening, I immediately began searching my mind for an image, either verbal or pictorial, that could summon up the feelings of being an emigrant to the Pacific Coast—as I am, and as are so many who’ve made the journey here, both physically and spiritually.
Contemporaneous “Living Toys” Concert at Roulette (David Bloom conducting)
I’ve had a particularly memorable “year in music” this year. While I’ve listed a “Prufrock’s Dozen” of CDs, this year-end post isn’t a “best of” list in the usual sense, but rather an opportunity to gather together the “best of” my musical experiences throughout the year. The post is divided into three sections: A “Prufrock’s Dozen” of CDs, Live Performances, and Other Significant Music-Related Activities. Continue reading →
When asked about her libretto for the opera, The Death of Klinghoffer, Alice Goodman, whose voice has not been heard nearly enough in the current discussions, said:
Our world has had, since before I was born, histories of people dehumanizing other people, of which the Jewish people have been the most notable of subjects, of victims. And so I think that it is absolutely paramount that civilization, that people who claim to be humane, civilized, moral, and, as it were, looking to a higher power, should know better than to wish to dehumanize anyone and should be able to acknowledge also the darkness that is in each of us. So, in other words, there is nothing that is human that should be foreign to us. That’s one of the things that art exists to express. Continue reading →
This year, I’m even more relieved than last year that I’m not a professional critic assigned to assemble a “top ten” music list for 2013. Instead, here is a year-end offering of highlights from my personal musical journey throughout the year.
August 22 and 23, 2013, the Sydney Symphony Orchestra, with John Adams conducting, will premiere Adams’s Saxophone Concerto, with the stupendous Timothy McAllister on saxophone. McAllister spoke with SoundNotion in an entertaining and wide-ranging conversation about the Saxophone Concerto, Adam’s previous piece featuring McAllister, City Noir, as well as “style, artistry and [calling all music nerds and fellow travelers] how a piece can rock even without slap tonguing.” Continue reading →