Tag Archives: collage

July Miscellany, with music by Jaeger, Mattingly & Trapani & performances by Dhegrae & Contemporaneous

That’s Robert Louis Stevenson contemplating the proceedings, courtesy John Singer Sargent. The proceedings include, among other things, El café by Joaquín Torres-García and the Cabinet of Geology and Mineralogy from the announcement of a project by Mark Dion at Vassar College.

Next are images of two ancient vases accompanied by a cut-up wrapper, seeds, and labels.

And here, Piero Della Francesca’s 15th C Portrait of Battista Sforza twines with Juan Gris’s The Man at the Café (1914). I’ve had the Della Francesca post card, picked up in Florence, for many moons.

Last, Braque’s The Terrace at the Hotel Mistral (1907) is paired with Matisse’s Pink Onions (1906-07), both accompanied, among other things, by a sticker of a flying machine from Lisbon and a ticket to the Palatine Chapel, Palermo.

Listening List

Shawn Jaeger‘s Resignation, performed by Lucy Dhegrae.

From Jaeger’s website:

“Resignation” takes its title from the American folk melody of the same name, better known as the tune for the Christian hymn, “My Shepherd Will Supply My Need,” with words, by Isaac Watts (1675-1748), paraphrasing Psalm 23. My song is built of fragments of text and music from the hymn—re-ordered and frozen (as if film stills), and repeated.

The score may be found here.

Christopher Trapani‘s Can’t Feel at Home, from Waterlines, performed by Lucy Dhegrae.

For more about Waterlines, click here.

Dylan Mattingly‘s Jubilee, from his opera-in-progress, Stranger Love, performed by Contemporaneous, with David Bloom conducting.

For more about Stranger Love, click here.

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Credits: Sources for the quotations may be found at the links in the text. The collages and photographs, as always on the blog unless indicated otherwise, are mine.

Color, Seeds, Thread, Buttons & Music by Debussy, Jalbert & Shaw

Postcards of Matisse’s Blue Window (1913) and Bonnard’s Table in Front of the Window (1934-35) called out for construction paper cut-outs. As if that weren’t enough, I scouted among our shelves, where I spotted an ancient packet of watermelon seeds and put them to use. Continue reading

A Concatenation of Birds, with Music by Lembit Beecher

I’ve been sorting through stacks of postcards, looking for ones that might suggest a starting point for a collage. One I kept coming back to contained an image of an illustrated manuscript folio entitled “The Concourse of the Birds.” Continue reading

With Her Back To the World

The first time I saw a painting by Agnes Martin (or at least it was the first time I paid attention) was at the Dia:Beacon in 2007. The quotation on the wall appealed to me then and has ever since:

I want to draw a certain response. . . . Not a specific response but that quality of response from people when they leave themselves behind, often experienced in nature—an experience of simple joy. . . . the simple, direct going into a field of vision as you would cross an empty beach to look at the ocean. Continue reading

January Miscellany: Hoffman, Schubert, and Marie Vieux-Chauvet

Playing around: The image of a Hans Hoffman woodcut in an arts magazine proved an irresistible impulse for coloring between the lines. After all, I’d collected dozens of colored pencils some time back (they looked so very appealing on display in a local arts and stationery shop) and they’d been neglected for far too long. Spare buttons discovered in a winter decluttering session, a leaf stamp and ink pad, a couple British stamps, and a magazine image of tiles all got their moment in the sun as well. Continue reading