Viktor Hartmann’s sketch of unhatched canary chicks for a ballet called Trilby or The Demon of the Heath made its way, in musical form, into Musorgsky’s Pictures at an Exhibition (1874). While written originally for piano, I suspect many of us were introduced to the work through Ravel’s orchestration. From that perspective, listening to the original piano version offers several orders of revelation.
It was fascinating, in David Nice’s Russian music class #6, to get insights into the work and what it takes to perform it from both David and pianist Samson Tsoy. Here is Tsoy, in a segment that includes the Ballet of the Unhatched Chicks.
Sergei Prokofiev is one of many who have performed Pictures at an Exhibition. David noted that, at one time, Prokofiev and his wife Lina possessed their own incubator and hatched chicks. Listen as Prokofiev brings his up close and personal knowledge to bear on this performance:
For an entirely different musical rendering of unhatched chicks, here’s a performance in Ravel’s orchestration:
Contemporaneous “Living Toys” Concert at Roulette (David Bloom conducting)
I’ve had a particularly memorable “year in music” this year. While I’ve listed a “Prufrock’s Dozen” of CDs, this year-end post isn’t a “best of” list in the usual sense, but rather an opportunity to gather together the “best of” my musical experiences throughout the year. The post is divided into three sections: A “Prufrock’s Dozen” of CDs, Live Performances, and Other Significant Music-Related Activities. Continue reading →