It’s been well over four years since I attended the premiere of Dylan Mattingly’s Achilles Dreams of Ebbets Field. At the time, I wrote:
. . . the vital, fearless pianist Kathleen Supové invited Mattingly to compose a work for piano—anything he wanted, of any length. Could Supové, or even Mattingly himself, outsized dreamer though he is, have predicted just how big it would become? Continue reading
Thursday, May 19, 2016, marked the premiere of Dylan Mattingly’s monumental work for piano, Achilles Dreams of Ebbets Field. Three years ago or thereabouts, the vital, fearless pianist Kathleen Supové invited Mattingly to compose a work for piano—anything he wanted, of any length. Could Supové, or even Mattingly himself, outsized dreamer though he is, have predicted just how big it would become? Continue reading
Prufrock's Dilemma 