
John Laver, in his 1925 book “Portraits in Oil and Vinegar,” wrote of Sir Walter Russell:
“He might be described as a typical ‘New English” painter, typical, that is, of its earlier, more traditional days, before it had begun to open its gates to some of the more eccentric young men whose work has been seen at its recent exhibitions. He has always been admired by his fellow-artists, but until the success of Mr. Minney, his 1920 Academy picture now in the Tate Gallery, he was scarcely even a name among the philistines.
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