Color, Seeds, Thread, Buttons & Music by Debussy, Jalbert & Shaw

Postcards of Matisse’s Blue Window (1913) and Bonnard’s Table in Front of the Window (1934-35) called out for construction paper cut-outs. As if that weren’t enough, I scouted among our shelves, where I spotted an ancient packet of watermelon seeds and put them to use. Continue reading

A Concatenation of Birds, with Music by Lembit Beecher

I’ve been sorting through stacks of postcards, looking for ones that might suggest a starting point for a collage. One I kept coming back to contained an image of an illustrated manuscript folio entitled “The Concourse of the Birds.” Continue reading

With Her Back To the World

The first time I saw a painting by Agnes Martin (or at least it was the first time I paid attention) was at the Dia:Beacon in 2007. The quotation on the wall appealed to me then and has ever since:

I want to draw a certain response. . . . Not a specific response but that quality of response from people when they leave themselves behind, often experienced in nature—an experience of simple joy. . . . the simple, direct going into a field of vision as you would cross an empty beach to look at the ocean. Continue reading

January Miscellany: Hoffman, Schubert, and Marie Vieux-Chauvet

Playing around: The image of a Hans Hoffman woodcut in an arts magazine proved an irresistible impulse for coloring between the lines. After all, I’d collected dozens of colored pencils some time back (they looked so very appealing on display in a local arts and stationery shop) and they’d been neglected for far too long. Spare buttons discovered in a winter decluttering session, a leaf stamp and ink pad, a couple British stamps, and a magazine image of tiles all got their moment in the sun as well. Continue reading

December Miscellany, with Lois Dodd & Germaine Tailleferre

Two Red Drapes and Part of White Sheet (1981)

I think you survive if you don’t fit anywhere.
—Lois Dodd [Faye Hirsch Monograph, p. 10]

Best is to view Lois Dodd’s paintings directly, as we did this week at the Alexandre Gallery.  If, however, commentary is desired to supplement the looking, listen to Dodd herself: Continue reading